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Contents:
- REVIEW: 1970S GAY STREET FASHNS AND OTHER VTAGE DISVERI ‘PHOTOGRAPHY AND LANGUAGE’
- POIGNANT, EXUBERANT PHOTOS OF GAY LIFE THE ’70S — JT TIME FOR PRI
- DICK LESCH’S GUI TO SEVENTI GAY SLANG
- DISVERG THE “GAY LIFTYLE” THROUGH 1970S MAGAZ
- VTAGE GAY FASHN
REVIEW: 1970S GAY STREET FASHNS AND OTHER VTAGE DISVERI ‘PHOTOGRAPHY AND LANGUAGE’
Gallery review: Strikg work by Hal Fischer, examg vtage gay male street fashn, leads the group show “Photography and Language” at Cherry & Mart. * gay fashion 1970s *
)And while the nickname was ially pejorative, the clone perd marked perhaps the first time that gay men prented themselv wh a queer-signalg uniform that was a direct rponse to societal stereotyp.
POIGNANT, EXUBERANT PHOTOS OF GAY LIFE THE ’70S — JT TIME FOR PRI
The gay men's magaz QQ and Ciao! were unabashedly liberated, but they still tered to an exclive dience. * gay fashion 1970s *
“The clone was a reactn to thgs you would see movi of gay men beg flty and nelly, ” says John Calendo, a wrer who lived LA and New York Cy throughout the 70s and 80s, and worked as an edor at the clone-cubatg sk mags Blueboy and In Touch for Men.
DICK LESCH’S GUI TO SEVENTI GAY SLANG
* gay fashion 1970s *
”) “That’s the kd of imagery”—backwards stereotyp that basilly villaized queer people—“that a lot of my generatn who beme the clone people grew up wh the ccible of the 60s, ” Calendo ntu, when the civil rights and gay liberatn movements were expandg ias of equaly and eedom.
DISVERG THE “GAY LIFTYLE” THROUGH 1970S MAGAZ
Drsg like a clone, he says, was a rejectn of those olr gay ’s not so easy to ppot precisely who origated the clone ial, guys who were alive at the time ually brg up Al Parker, an adult film star turned producer and director who worked om the 70s to the early 90s. “The clone look was certaly about a whe gay man’s rponse and engagement wh those archetyp, ” says Ben Barry, the an of the school of fashn at the New School’s Parsons School of Dign, whose rearch foc on fashn’s relatnship to masculy, sexualy, and the body. Amid the flurry of rabow-lan rporate logos, sponsored events and news ems about gay pengus, is difficult to turn on a televisn or set foot public durg June whout the remr that is Pri Month for LGBT and queer people.
Gee Dudley, a photographer and artist who also served as the first director of New York Cy’s Llie-Lohman Mm of Gay and Lbian Art, documented scen om pri paras New York Cy om the late 1970s through the early ‘90s. The years saw Ana Bryant’s homophobic csa through the “Save Our Children” mpaign 1977, the electn and assassatn of Harvey Milk 1978, and the Whe Night rts the followg summer after the lenient sentencg of Milk’s murrer, Dan Whe.
“The guy a drs wh a beard, nng ont of the task force banner, ptur a lot of the atmosphere of the early gay liberatn muny, bee so much of me out of the hippie movement, ” says Saslow. Sli 1 of 13, A ftg acpaniment to the NYC Pri celebratns around the cy this weekend, the Llie-Lohman Mm of Gay and Lbian Art on Wooster Street has an exhibn up this season centerg on a sgular era gay history: the post-Stonewall, pre-AIDS 1970s.
VTAGE GAY FASHN
But that didn’t stop the mastream om dismissg as a gay rag—skewered a 1993 Sefeld episo and the 2003 movie Zoolanr—even as the talog raked $100 ln at s height (mostly fueled by straight women buyg for their men) and h 3 ln hom wh quarterly 1986 vers.