LGBTQ+ Owned Proud, Gay, & Sassy T-Shirts, Accsori, & More

Contents:

• LIFE ISN’T PRI.SIMPLE GAY APPAREL IS MEANT TO TRANSCEND PRI AS WE KNOW . YOU AREN’T JT A RABOW, JT A “GAY PERSON” WHO ONLY POPS TO EXISTENCE EVERY JUNE FOR OUT-OF-TOUCH BRANDS TO LABEL AND MODIZE — FOR BRANDS TO FAKE RE ABOUT AND RCTNISTILLY APPEAL TO — PURSU OF THEIR MA GOAL, THE ALMIGHTY DOLLAR. YOU’RE MORE THAN THAT — YOU’RE A GAY PERSON WH A GAY EXPERIENCE. AND, AS YOU KNOW, OUR GAY EXPERIENCE ISN’T ALL RABOWS AND UNIRNS. RABOWS AND UNIRNS FAIL TO ACKNOWLEDGE THE EXISTENCE OF THE LONG PATH THAT WE DDGED ALONG BEFORE BEG ABLE TO FALLY PEEK OUR HEAD OUT OF THE DARKNS AND AT SOME POT, HOPEFULLY, BEE RELATIVELY SHAMELS.I CREATED SIMPLE GAY APPAREL BEE THE MARKET OFFERGS WEREN’T GETTG . I WAS CRAVG SUBTLETY AND NUANCE. I WAS CRAVG VISIBILY, REPRENTATN, AND MULTI-DIMENSNALY MY PURSU TO BE OUT NFINTLY.MY DARK DIGN INSPIRATN.AFTER I SET OUT TO SIGN SUBTLE AND NUANCED VISIBILY, I REALIZED THAT A LOT OF MY UNNSC SPIRATN WAS G OM DARKNS AND SHAME THAT FED MY GAY EXPERIENCE — DARKNS THAT I WANTED TO ACKNOWLEDGE, RECLAIM, TAKE OWNERSHIP OVER, AND MAKE LIGHT OF. I THK THERE’S SOMETHG EMPOWERG ABOUT ACKNOWLEDGG A THG AS REALLY IS — ACKNOWLEDGG PA, ACKNOWLEDGG SHAME, ACKNOWLEDGG THE PROCS — AND OWNG ANKLY AND SIMPLY, HUMOR AND IRONY.WH MY SIGNS, I E VAR SYMBOLS TO CREATE STORI, LTLE SNAPSHOTS OF EMOTNS AND SENTIMENTS THAT REPRENT THE WI SPECTM OF THE GAY EXPERIENCE — OM SHAME TO SPE, OM LONELS TO PRI. MY COMMMENT TO QUALY.
• DEFINITIONS FOR GAY APPARELGAY AP·PAR·EL
• DON WE NOW OUR GAY APPAREL

LIFE ISN’T PRI.SIMPLE GAY APPAREL IS MEANT TO TRANSCEND PRI AS WE KNOW . YOU AREN’T JT A RABOW, JT A “GAY PERSON” WHO ONLY POPS TO EXISTENCE EVERY JUNE FOR OUT-OF-TOUCH BRANDS TO LABEL AND MODIZE — FOR BRANDS TO FAKE RE ABOUT AND RCTNISTILLY APPEAL TO — PURSU OF THEIR MA GOAL, THE ALMIGHTY DOLLAR. YOU’RE MORE THAN THAT — YOU’RE A GAY PERSON WH A GAY EXPERIENCE. AND, AS YOU KNOW, OUR GAY EXPERIENCE ISN’T ALL RABOWS AND UNIRNS. RABOWS AND UNIRNS FAIL TO ACKNOWLEDGE THE EXISTENCE OF THE LONG PATH THAT WE DDGED ALONG BEFORE BEG ABLE TO FALLY PEEK OUR HEAD OUT OF THE DARKNS AND AT SOME POT, HOPEFULLY, BEE RELATIVELY SHAMELS.I CREATED SIMPLE GAY APPAREL BEE THE MARKET OFFERGS WEREN’T GETTG . I WAS CRAVG SUBTLETY AND NUANCE. I WAS CRAVG VISIBILY, REPRENTATN, AND MULTI-DIMENSNALY MY PURSU TO BE OUT NFINTLY.MY DARK DIGN INSPIRATN.AFTER I SET OUT TO SIGN SUBTLE AND NUANCED VISIBILY, I REALIZED THAT A LOT OF MY UNNSC SPIRATN WAS G OM DARKNS AND SHAME THAT FED MY GAY EXPERIENCE — DARKNS THAT I WANTED TO ACKNOWLEDGE, RECLAIM, TAKE OWNERSHIP OVER, AND MAKE LIGHT OF. I THK THERE’S SOMETHG EMPOWERG ABOUT ACKNOWLEDGG A THG AS REALLY IS — ACKNOWLEDGG PA, ACKNOWLEDGG SHAME, ACKNOWLEDGG THE PROCS — AND OWNG ANKLY AND SIMPLY, HUMOR AND IRONY.WH MY SIGNS, I E VAR SYMBOLS TO CREATE STORI, LTLE SNAPSHOTS OF EMOTNS AND SENTIMENTS THAT REPRENT THE WI SPECTM OF THE GAY EXPERIENCE — OM SHAME TO SPE, OM LONELS TO PRI. MY COMMMENT TO QUALY.

We are the two people behd Gay Pri Apparel. We started Gay Pri Apparel to brg pri to every rner of the world!

Gay Pri Apparel Announc Partnership wh Walmart to Expand Reach Across the Uned Stat New York Cy, NY - April... “we aren’t about rabows and unirns jt for the sake of rabows and unirns”Life Isn’t Gay Apparel is meant to transcend Pri as we know . You aren’t jt a rabow, jt a “gay person” who only pops to existence every June for out-of-touch brands to label and modize — for brands to fake re about and rctnistilly appeal to — pursu of their ma goal, the almighty dollar.

You’re more than that — you’re a gay person wh a gay experience.

DEFINITIONS FOR GAY APPARELGAY AP·PAR·EL

And, as you know, our gay experience isn’t all rabows and unirns. I created Simple Gay Apparel bee the market offergs weren’t gettg .

I was cravg visibily, reprentatn, and multi-dimensnaly my pursu to be out Dark Dign I set out to sign subtle and nuanced visibily, I realized that a lot of my unnsc spiratn was g om darkns and shame that fed my gay experience — darkns that I wanted to acknowledge, reclaim, take ownership over, and make light of. I thk there’s somethg empowerg about acknowledgg a thg as really is — acknowledgg pa, acknowledgg shame, acknowledgg the procs — and owng ankly and simply, humor and my signs, I e var symbols to create stori, ltle snapshots of emotns and sentiments that reprent the wi spectm of the gay experience — om shame to spe, om lonels to pri. Digng gay visibily so that you n be out, nfintly isn’t jt about signg fire graphics.

So I tted over 20 different shirt styl before landg on the — which I refully selected for their relaxed style and flatterg f no matter your body type, their softns and material qualy, their thickns and non-transparency, their unique and plementary lors, and their overall this, I give you Simple Gay Apparel. What do mean, "Don we now our gay apparel".

DON WE NOW OUR GAY APPAREL

Throughout the twentieth century, clothg has been ed by lbians and gay men as a means of exprsg self-inty and of signalg to one another. By the eighteenth century, many ci Europe had veloped small but secret homosexual subcultur. London's homosexual subculture was based around ns and public ho where "molli" ngregated.

Male homosexuals ntued to cross-drs both public and private spac throughout the neteenth century. In the 1920s, the Harlem drag balls offered a safe space for gay men (and lbians) to cross-drs.

Cross-drsg performers, monly known as drag queens, ed women's cloth to parody straight society and create a gay humor. The tradn has been rried on by gay drag performers such as Amerin performers Dive and RuPl and Brish televisn star Lily Savage. Overt gay men, who did not want to go so far as to cross-drs, sometim adopted the most obv signifiers of female mannerisms and drs: plucked eyebrows, rouge, eye makp, peroxi blond hair, high-heeled Women's Sho blo.

Adoptg such an appearance was dangero, for was risky to be overtly homosexual.

Drsg as a "flamg queen" was a means of enterg to the subculture of gay society. The adoptn of effemate drs s began to wane wh the rise of gay liberatn, but has ntued to play a role gay life. The illegaly of homosexualy and the moral disapproval that attracted forced gay men and lbians to live virtually visible liv the first part of the twentieth century.

Up until the gay liberatn movement of the late 1960s, the most important crern of drsg public, for the mass of gay men and lbians, was to be able to "pass" as heterosexual. Ined, the lor green had been associated wh the effemate and sometim sodomil maronis of the 1770s and ntued to have gay associatns clothg through the first part of the twentieth century.

" Other signifiers for gay men clud a red necktie (worn New York Cy before World War II) and sue sho (one of the most ternatnal and endurg gay signifiers). Durg the "menswear revolutn" of the 1960s, the associatn of fashn and homosexualy began to dimish.

Carnaby Street fashns were ially sold to a gay "theatril and artistic" clientele by a former physique photographer by the name of Vce om a shop near Carnaby Street.

" worn primarily by gay men, was sold om "boutiqu" Greenwich Village, New York, and Wt Hollywood Los Angel. By the late 1960s, lbians and gay men throughout the Wtern world had begun to qutn their posn as send-class cizens and their stereotype as effemate "queens" or "butch dyk. " Along wh the mands for equaly and regnn, lbians and gay men began to addrs their appearance.

There had always been gay men who drsed a nventnally mascule style, but the early 1970s, gay men New York and San Francis looked to the epom of Amerin masculy-the wboy, the lumberjack, the nstctn worker-for spiratn for a new drs style. The hypermascule image has ntued to be important even after the supposed ath of the clone the late 1980s, when the image beme associated wh an olr generatn of pre-AIDS gay men.