Contents:
WHY THE GAY SUBPLOTS ‘THE LIGHTHOE’ AND ‘JOJO RABB’ DON’T GO FAR ENOUGH
Both movi e om wildly ventive filmmakers wh styl so specific their films n feel like their own mi-genr, but they share half-baked gay subtexts that fall short of their amb visns. In a story about two men on a serted island, the homoeroticism is practilly baked to the log-le.
” But a foppish Hler is the least of Wai’s troubl — the real homoeroticism to play wh Sam Rockwell’s character. (Wai don’t even beg to addrs that the Nazis were sendg gay people to ncentratn mps.