Billy Eichner plays a moody podster who has sworn off relatnships, but jt might fd himself one anyway, this gay romantic edy.
Contents:
- GAY 'BROS' HANGOUT - BOXERS NYC
- BROS’ PERFECTLY TUNED ROMANTIC EDY BUCKL UNR THE WEIGHT OF THE GAY ROM- TONE
- GAY ROM- 'BROS' BEGS FILMG NYC
- THE 30 BT GAY BARS NYC
- CRAFTG A ROM-COM THAT’S TE TO 21ST-CENTURY GAY LIFE
GAY 'BROS' HANGOUT - BOXERS NYC
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BROS’ PERFECTLY TUNED ROMANTIC EDY BUCKL UNR THE WEIGHT OF THE GAY ROM- TONE
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Bros’ perfectly tuned romantic edy buckl unr the weight of the gay rom- tone.
It’s “the first gay romantic edy om a major stud featurg an entirely LGBTQ prcipal st, ” wh Eichner beg touted as “the first openly gay man to wre and star a major stud film.
GAY ROM- 'BROS' BEGS FILMG NYC
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Their meet-cute, amidst a swirlg vortex of vogueg club gays, feels like the proper 21st-century queer versn of a NYC love story.
Add a sre by Marc Shaiman and a bounty of Nat Kg Cole needle-drops, and you’d thk this Gay When Harry Met Sally would be off and nng.
THE 30 BT GAY BARS NYC
The moments where they s around a nference table and rotely poe queer talkg pots feel as dry and unspired as if the Senate sequenc om the Star Wars prequels took place an echo chamber of gay stereotyp. Dpe the actor’s volatile watchabily, Bobby emerg ls as a real person than a walkg Twter rant of everythg that’s wrong wh gay culture.
That clus, but is not limed to: straight actors playg gay people; the edic e of “the F slur”; the film dtry’s palizatn on queer trma; and the problematic nature of Bohemian Rhapsody beg about a gay in a straight relatnship. You n easily image the one-note meathead Aaron uld be, but Macfarlane really plays the pathos of this guy who’s lived a life straddlg his privilege as a straight-passg mascule gay man wh his sire to feel ls like an outsir to gay culture. He’s easily the most plete and pellg character the st, and his loss and victori are the emotnal high pots of a film that’s at s bt when ’s playg out the classic rom- beats om a gay perspective.
CRAFTG A ROM-COM THAT’S TE TO 21ST-CENTURY GAY LIFE
It’s a satisfyg endg, and one that reveals Eichner’s ultimate amg of this film as a long-awaed troductn om queer culture to mastream cema, a Gay Rey handg off a rabow-lored lightsaber to Le Skywalker. In that ntext, ’s hard to flt Eichner for treatg this “first major stud gay rom-” wh the utmost level of rponsibily.
While Bros often feels overstuffed wh ias, a treatise on Why Gay People Derve To Be a Rom-Com rather than jt a really good rom- wh gay people, also feels exactly le wh Bobby’s-slash-Billy’s chief goal: “I wanted to wre about my world, my life, my iends.