'Bros' movie box office: It's OK to let gay art bomb - Los Angel Tim

Contents:

• COMMENTARY: THE REAL LSON OF ‘BROS’: IT’S OK TO LET GAY ART BOMB
• 10 GREAT FRENCH GAY FILMS
• KEV MAXEN BE FIRST MALE ACH A US MEN’S PROFSNAL SPORTS LEAGUE TO PUBLICLY E OUT AS GAY

COMMENTARY: THE REAL LSON OF ‘BROS’: IT’S OK TO LET GAY ART BOMB

Cast & crewUser reviewsTrivia2022R1h 55mTwo men wh mment problems attempt a men wh mment problems attempt a men wh mment problems attempt a productn, box office & pany Vios25More like thisReview EhEver sce I knew I was gay, I've always been on the lookout for people of a siar nature, as humans naturally do. "Gay" people film/tv have often been heavily stereotyped.

EG the effemate gay bt iend, or the badass butch lbian who is jt one of the bros do try a ltle b harr to break through the stereotyped glass ceilg, still falls to that tegory of tryg so hard to be gay that feels unrelatable to most gay people, and no doubt straight people as 's not a bad movie and is que entertag, and is worth the watch for those elements. Normalisatn occurs when we have love stori between peole who happen to be gay, like Brokeback Mounta. I didn’t want to dimish “the first major stud movie wrten by and starrg a gay man” or spoil s Rotten Tomato sre or dance on the grave of s box-office prospects.

10 GREAT FRENCH GAY FILMS

I certaly didn’t want to attack the star of “Billy on the Street” and “Difficult People, ” two of the most succsful screen adaptatns of the gay sensibily recent memory. ”Do that make too the “homophobic weirdos” of Eichner’s nfoundg post-bomb tweet spiral or simply the silent Benedict Arnolds of his self-proclaimed march to the history books?

KEV MAXEN BE FIRST MALE ACH A US MEN’S PROFSNAL SPORTS LEAGUE TO PUBLICLY E OUT AS GAY

It is emently ldable that Eichner has ma a sexually ank stud edy featurg two gay men, and that he sisted, as wgman/-star/-producer Guy Branum not, on an all-LGBTQ st.

Its laceratg send-ups of token reprentatn Hallmark Christmas movi; the “hnted hoe of gay trma” that pop culture pass off as queer history; even Eichner’s own public persona are all a potent, knowg nod to the ongog challeng of tellg LGBTQ stori — of livg LGBTQ liv — whout simply repurposg a tired, old, straight the culmatg ame of s fal act, that is, when the image of two nventnally attractive gay men kissg is posned, lerally, as the ldatory bookend to “5, 000 years of gay love stori erased om the history books. And yet, spe the affi Eichner and I share on paper — no, bee of the affi we share on paper — I reil at “Bros’” squanred privilege, bristle at s star’s attempt to hi s shortgs behd the veil of homophobia. It is the eedom to fight over, cricize, even ignore the artworks that claim to reprent — and, on the flip si, the eedom to keep makg and nsumg gay art whether straight people show up for or, when I saw the film a send time this week, at a half-full weeknight screeng at the Sunset 5, what stck me most were the loust lghs and cheers, all directed at the gayt material — the slap fight-turned-sex scene, the Bowen Yang meo, Nile Kidman’s pre-roll ad for AMC.

” (Universal Pictur) To say “let gay art bomb” is not to say “let gay art languish. It’s simply a remr that — not only for gay art but for art, full stop — mercial failure has often been a sign of creative succs. It is through the ph and pull of the popular and the avant-gar, the acclaimed and reviled, the celebrated and the spect, that we arrived at the place where “Bros” uld sk or the next quarter century brg still bigger swgs, still more revolutnary cursns to the mastream, still more films and TV seri “too gay, too niche” for straight dienc and not gay enough — never gay enough — for .