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grid-full-bleed grid-no-gap SplScreenContentHearMa-fNigKG daohZh"><div class="GridItem-buujkM eHLzLy grid--em"><div class="SplScreenContentHearTleBlock-sCMXE jActCi"><div data-ttid="ContentHearRubric"><div class="RubricWrapper-dKmCNX dZhWBL bric SplScreenContentHearRubric-cLHEJQ ildzkT"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/podst-pt"><span class="RubricName-fVtemz cLxcNi">Podst Dept.</span></a></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SplScreenContentHearHed-lcUSuI iUEiRd NbxED dfelga">The Secret Hollywood of “You Mt Remember This”</h1><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SplScreenContentHearDek-emptdL iUEiRd wOnsu dJrDEb">We tend to get sentimental about the movi. For seven years, Kara Longworth has nstcted the dtry’s myths whout losg sight of s magic.</div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl SplScreenContentHearByle-kvEhqE ejWxsm"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/margaret-talbot">Margaret Talbot</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2021-06-28T06:00:00-04:00" class="SplScreenContentHearPublishDate-bMGEVk gvRvVr">June 28, 2021</time><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--standard 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class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">How do you tell the tth about Hollywood, the greatt fantasy-makg mache the world has ever known? One approach is to assume that the glamoro surfac nceal somethg sordid, which means that exposg will be tillatg, and also sort of righteo: illns are punctured, the rich and famo taken down a peg, and so on. Kenh Anger’s pendium of formative celebry sndals, “Hollywood Babylon,” first published the Uned Stat 1965, took that tack, as do tabloids verg Hollywood gossip. One problem wh this style of revelatn— addn to s equent misogyny and s breezy vlatn of privacy—is that the tails are often wrong, fact checkg not beg a key value for the “Hollywood Babylon” school. At the other end of the spectm, amic film scholars offer a different promise: by lookg at systems of reprentatn, they hope to reveal stctural tths about how movi create meang. Fair enough, but film studi won’t tell what Marilyn Monroe said at a party. Then, there’s the storytellg approach, practiced by those who try to lote the tth whout sniffg too disapprovgly at the dish. Today, perhaps nobody works that le wh as much rigor and spellcraft as Kara Longworth, the creator, wrer, and host of the Hollywood-history podst “You Mt Remember This.”</p><p class="paywall">Longworth started the seri 2014, durg podstg’s adolcence. By her own acunt, she was ls terted the medium self than a chance to tell “the secret and/or fotten histori of Hollywood’s first century,” a format more likely to attract an dience than most books about Goln Age Hollywood do. (In 2018, Longworth did publish a book, “Sctn: Sex, Li, and Stardom Howard Hugh’s Hollywood,” but she remas better known for the podst.) In the urse of the show’s n, she’s produced seasons on “Dead Blons” (Jean Harlow, Veroni Lake, Monroe), the Hollywood blacklist, and M-G-M’s stable of stars. One season focsed on Charl Manson’s bizarre adventur tryg to make as a rock mician L.A., durg which he fell wh sun-kissed celebs like Dennis Wilson, the dmmer for the Beach Boys. In another, Longworth spent neteen episos fact-checkg “Hollywood Babylon,” sndal by lurid sndal. Kenh Anger was a pneerg, queer unrground filmmaker, but his muckrakg mo he uld be sually vic, and equently mistaken. Longworth found that the Mexin-Amerin actrs Lupe Vélez did fatally overdose while pregnant, possibly wh Gary Cooper’s baby, but she did not die, as Anger claims, wh her head the toilet, vomg up a Mexin meal. The former silent-screen heartthrob Ramon Novarro was ed killed, 1968, by a uple of htlers he brought to his Lrel Canyon home, but there was no Art De dildo volved the grisly murr. And Clara Bow, the origal It Girl, did not have sex wh the entire U.S.C. football team—full stop.</p><p class="paywall">Longworth’s newt season, which began May, chronicl the liv of the fluential Hollywood gossip lumnists Hedda Hopper and Louella Parsons. It’s a particularly rich subject for Longworth, sce ’s ncerned wh how some of the stori she’s vtigated the past were manufactured, manipulated, or supprsed the first place. Hopper and Parsons “beme rich and famo a world of men,” Longworth says the first episo, “by sellg regular people the illn that they were takg them behd the scen, while really they were rercg a system that relied on dienc havg no ia how movi were really ma or what stars were really like.” Longworth, too, implicly promis to take behd the scen, while relyg on the knowledge that many of her listeners—sophistited nsumers of celebry gossip, simply by virtue of livg the world as is—will be skeptil of that very ia.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Longworth, forty, is a former film cric for <em>LA Weekly.</em> She is married to the director Rian Johnson, who ma the movi “Kniv Out” and “Star Wars: The Last Jedi.” On “You Mt Remember This,” her M.O. is to take a story, rearch wily, sift meticuloly through the known and mored versns of events, and reassemble them to a persuasive narrative. Many of the buildg blocks n be found books, which Longworth c her show not, and ls often the podst self. But she puts them together a way that strik you as reliable—partly bee she’s transparent about what n’t be known, and partly bee she’s nearly as ncerned wh why we <em>thk</em> we know somethg as she is wh the tth self.</p><p class="paywall">Why, for stance, do certa Hollywood legends stick even when they n easily be bunked? Sometim the culprs are racism, sexism, or mpaigns by studs to sp a story. But the reasons n also volve a subnsc, affective attachment to specific archetyp and myths. In her episo on Jean Harlow, Longworth refut a persistent mor that the platum-blond actrs, who died at twenty-six, was killed by her weekly hair bleachg. That probably <em>is</em> what ed her hair to fall out clumps—after all, her formula was a mixture of peroxi, ammonia, Clorox bleach, and Lux soap flak—but Harlow most likely died of kidney disease, which she’d suffered om sce childhood. The nuendo about Harlow’s ath endured, Longworth says, bee “people who love Hollywood love stori about how the thgs Hollywood people do to bee stars end up stroyg them.” In her tellg, the most salac or nspiratorial versn of Hollywood gossip is often the least likely to be te, but the reasons that people believe are almost always worth explorg.</p><p class="paywall">Gleeful revisnism is not Longworth’s style, eher. If someone has been thrown unr the b by prev chroniclers of movie history, she will pull her out, dt her off, and send her on her way—rpectful but seldom botted. If there’s more cred to be hand out, she’ll do that, but she won’t get rried away wh remptive zeal. In one of her bt seasons, Longworth renstcted the life of Polly Platt, an art director, producer, talent whisperer, and behd-the-scen macher who, though beloved Hollywood, never garnered much regnn the wir world. Platt started her reer the late neteen-sixti, llaboratg closely wh her then hband, the director Peter Bogdanovich, on his first and bt films, cludg “The Last Picture Show” and “Paper Moon.” (On the set of the former movie, Bogdanovich began an affair wh the génue Cybill Shepherd, and left his marriage. In the meantime, Platt, who was dog the hair, makp, and productn sign, ntued workg wh Shepherd, surg that she would look as sirable and lumo as the movie, and Platt’s hband, need her to be.)</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="Father and young son lookg at skyle" class="RponsiveImageContaer-eybHBd 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8.38295L16.3488 10.5017ZM7.6526 13.4983C7.79067 13.2643 7.70873 12.965 7.46959 12.8299C7.23044 12.6948 6.92464 12.775 6.78657 13.009L5.53657 15.1278C4.432 17 5.0875 19.394 7.00068 20.475C8.91385 21.5558 11.3602 20.9144 12.4648 19.0422L14.4648 15.6521C15.5694 13.78 14.9139 11.3859 13.0007 10.305C12.8127 10.1988 12.6195 10.1091 12.4229 10.0357C12.2195 9.95975 11.9956 10.0515 11.8867 10.236C11.7221 10.5151 11.8911 10.8724 12.1932 11.0008C12.2973 11.0451 12.4 11.0956 12.5007 11.1525C13.9356 11.9632 14.4272 13.7587 13.5988 15.1628L11.5988 18.5529C10.7704 19.957 8.93555 20.4382 7.50068 19.6274C6.0658 18.8167 5.57417 17.0212 6.4026 15.6171L7.6526 13.4983Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button><div class="AlertWrapper-gvFATk MdjE RponsiveCartoonLkAlertPopup-BPAXn kdMXRM shoppg-alert" role="dialog"><div aria-hidn="te" role="prentatn" class="AlertArrow-daOgye AlLda alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc cxFROy alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">The tle of the Platt season lls her an “visible woman,” but the argument Longworth weav is subtler. Platt went on to make major ntributns to some of the biggt succs seventi and eighti Hollywood: “Pretty Baby,” “Terms of Enarment,” “Broadst News.” She mentored the director Cameron Crowe, helped lnch the reer of W Anrson, and troduced the rtoonist Matt Groeng to Jam L. Brooks, th plantg the seed for “The Simpsons.” If Platt never beme que as famo as she uld have been, ’s probably bee she never directed a film. And if <em>that</em> was bee was so hard for women to get hired, was also, Longworth suggts, bee Platt got her own way—she had a chronic drkg problem, and backed off at least one opportuny to direct, perhaps bee she had paralyzgly high expectatns for herself. Bis, as Longworth remds , ’s only if you subscribe to the purt tr theory—which attribut cematic achievement almost entirely to the geni of the director—that Platt’s remarkable reer n be dismissed.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Complitg the narrative whout killg the vibe n be tricky. People who love Goln Age Hollywood really love . They—and by “they” I mostly mean “we”—don’t want to see fetishized some unsavory way, but they don’t want to see trashed, eher. We like to summon up the shimmerg shas of John Garfield or Joan Crawford when we sip our Martis at Mso and Frank. We know the pfalls of nostalgia, but we don’t want to lose the pleasur that old movi afford . There are tim, listeng to “You Mt Remember This,” when I miss a certa kd of goofball enthiasm—somethg like the joy of settlg for the night when you disver that your hotel’s ble clus TCM, or the mock-heroic bate you get to wh the nerdy céaste the poprn le. Although Longworth will ocsnally offer a lyril asi about an actor’s charisma, or urge listeners to watch an obscure movie that she lov, the podst generally avoids effivens.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">But Longworth do set a mood—a ltle hnted, a ltle sctive, a ltle old-fashned. As podsts go, “You Mt Remember This” has few bells and whistl. It’s basilly jt Longworth talkg, or, actually, readg a wrten piece on the subject at hand. She enunciat wh re, wh some fat, perd-specific mil cu behd her. (Actors speak some of the quot om her subjects; this season, Julie Klsner, as Parsons, and Cole Esla, as Hopper, make particularly persuasive grans dam.) The troductn Dooley Wilson sgg “You mt remember this . . . ” an echoey, distorted settg; the phrase, taken om the “Casablan” theme, seems to float to om across the sea. “Jo , won’t you?” Longworth asks, and off we go, our ltle rowboats, borne ceaselsly back to the past and all that.</p><p class="paywall">Hopper and Parsons have been wrten about before—and we’ve seen versns of them played by Helen Mirren and Tilda Swton, “Tmbo” and “Hail, Caar!” Both were om small-town, middle-class Ameri, and both transformed themselv to pable profsnals when the movie dtry was new and margal enough to make room for amb women. (Parsons was a script edor the early years of silent film, Hopper an actrs wh a flair for extravagant hats.) But Longworth’s take on them mak an pecially strong se that Hollywood history is “extrible,” as she puts , “om Amerin history.” As longtime Hollywood lumnists for the Hearst syndite and the Los Angel <em>Tim</em>, rpectively, Parsons and Hopper sentially created the template for morn entertament verage, wh s symbtic, often rptg relatnships and the swappg of accs for fulsome treatment. For s, a good word one of their lumns was the syp on a mogul’s pank; a bad one meant a thunrcloud over Burbank. Hopper, particular, fed a style that was a precursor to a lot of onle wrg: as Longworth not, she “ptured the sound of a dishy, slightly dzy iend who always had a story to tell and always seemed to walk to a room wh that story medias r.”</p><p class="paywall">Both women öperated extensively wh powerful men— Parsons’s se, the newspaper magnate William Randolph Hearst, and, Hopper’s, the F.B.I. director J. Edgar Hoover. Parsons saw herself as the protector of Hollywood’s terts, which meant skillfully flectg attentn om the sndals that ma the dtry vulnerable to ernment censorship. (The same spir saw stud heads voluntarily agree, the neteen-thirti, to abi by the Productn Co, which limed the sex and vlence that movi uld show.) Hopper, the so-lled Queen of Mean, was more polilly nservative. She beme a handmain of the blacklist, wh a particular anim toward Charlie Chapl, whom she helped Hoover to port. She also dulged anti-Semism. Durg the productn of “Gone wh the Wd,” Hopper beme fur that Brish actors (Vivien Leigh and Llie Howard) were beg st the rol of Srlett O’Hara and Ashley Wilk. Denstctg the polics of this peculiar csa, Longworth not that the movie’s producer, David O. Selznick, wanted to promote “Brish-Amerin relatnships and mutual sympathi,” at a time when the Ameri First crowd was warng agast gettg suckered by foreigners and Jews to fightg the Nazis. Hopper had for non-Amerins and refuge—though she ma an exceptn for Hler’s beloved propagandist, Leni Riefenstahl, whose 1938 vis to Hollywood (three years after Riefenstahl’s “Triumph of the Will”) she fend. (Hopper found her “perfectly charmg.”)</p><p class="paywall">Many of the stori that Longworth tells are not about what Hopper and Parsons wrote but about what they agreed to hi—gay relatnships, out-of-wedlock births, all manner of chaos the liv of stars. Often, the omissns were ma exchange for other, ls juicy sops, or for reasons of narrow self-tert. In the late twenti, Hearst worried about the advent of sound movi bee his mistrs, the silent-film star Marn Davi, had a stammer; the papers, Parsons, who had lns of rears, dutifully st doubt on the whole ia of talki. It’s partly bee the stud system was so good, for so long, at this sort of subterfuge that Longworth n claim to be unveilg “secret” history.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">In the end, “You Mt Remember This” succeeds bee reveals more of the tth—or at least more of what happened, reacted through what we now believe about genr, race, and the machatns of Hollywood—than, say, Hopper or Parsons did. But some myths are left untouched. When Hollywood tells stori about self, they tend toward the tragic—“A Star Is Born,” “Sunset Boulevard”—and historians like Longworth seem drawn to that mood, too. It’s not hard, after all, to fd movieland lore about talent squanred, or whe-hot ambn flamg out. Even the last episos about the redoubtable Hopper and Parsons lk fame to s eclipse. We get ls than we might want about the actual work of filmmakg, and the joy that plenty of s practners seem to have taken over the years. In “You Mt Remember This,” the dreams that pe or tge the atmosphere wh melancholy. This, rather than any glterg, triumphant fantasy, seems to be the Hollywood endg that secretly entranc . ♦</p><le-embed name="" attrs="[object Object]" childTyp="" ntentType="llout:"><hr class="paywall"/><h2 class="paywall">New Yorker Favor</h2><ul class="paywall"><li>The <a href=">day the dosrs died</a>.</li><li>What if you uld <a href=">do all over</a>?</li><li>A spense novelist leav a <a href=">trail of ceptns</a>.</li><li>The <a href=">art of dyg</a>.</li><li>Can <a href=">readg make you happier</a>?</li><li>A simple gui to <a href=">tote-bag etiquette</a>.</li><li>Sign up for our daily <a href=">newsletter</a> to receive the bt stori om <em>The New Yorker</em>.</li></ul></le-embed></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div 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data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2021/07/05" data-reactroot="">July 5, 2021</a>, issue, wh the headle “Reach for the Stars.”</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/margaret-talbot"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 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bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Cultural Comment</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">“And Jt Like That . . .” Has One Too Many Cosmopolans</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“And Jt Like That . . .” Has One Too Many Cosmopolans" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The first season was a pleasant rnn; the send season has some issu.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Carrie Battan</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="What Kd of Artist Was Wayne Shorter?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Front Row</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">What Kd of Artist Was Wayne Shorter?</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="What Kd of Artist Was Wayne Shorter?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">A new documentary shows that mic was jt one facet of the great jazz saxophonist’s gift.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Richard Brody</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Moni: A Guid Tour Through Daniel Clow’s Md and Library" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Culture Dk</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Moni: A Guid Tour Through Daniel Clow’s Md and Library</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Moni: A Guid Tour Through Daniel Clow’s Md and Library" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The artist discs his fluenc, his Platonic ial of ics, and the end of the world.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Françoise Mouly</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Lisa Ykavage’s Bodi of Work" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Profil</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Lisa Ykavage’s Bodi of Work</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Lisa Ykavage’s Bodi of Work" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">For s, the pater has provoked viewers wh rnchy, virtuosic, myster imag.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Ariel Levy</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm fvDIAb ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="x9lblw"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN 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