Queerly Mil; why the gays love mil theatre

Contents:

• QUEERLY MIL; WHY THE GAYS LOVE MIL THEATRE
• SPACE PERFORMANCE: MAKG MEANG THE THEATRE. BY GAY MCAULEY. ANN ARBOR: UNIVERSY OF MICHIGAN PRS, 2000; PP. 320. $19.95 PAPER.
• A BRIEF HISTORY OF GAY THEATER, THREE ACTS
• 1964: THE BIRTH OF GAY THEATER

QUEERLY MIL; WHY THE GAYS LOVE MIL THEATRE

Queer theatre is the accepted generic term for the gay theatre movement: one that embrac both men and women, that vers plays, mils, baret and jt about everythg else, and which has been gog strong Bra and Ameri for well over 40 years. In the opprsive 1950s, where every play had to be approved by the lord chamberla before uld be performed public, Brish dramatists were necsarily oblique their prentatn of gay issu. But dramatists at the time were obliged to work : when the hero of Emlyn Williams's superlative Acla (1950) is acced of havg sex wh an unrage girl Rotherhhe, I tomatilly assume Williams was really talkg about 's been hearteng to see gay wrers explog the eedom that me wh the aboln of censorship and the relaxatn of the law.

The 1970s saw the emergence of Gay Sweatshop Bra, found 1975, and the Gay Theatre Alliance Ameri, which burst to life not long after. And Bra over the last 20 years wrers such as Bryony Lavery, Phyllis Nagy (who is Amerin by birth), Kev Elyot, Alexi Kaye Campbell, Samuel Adamson, Mark Ravenhill and many others have all alt openly and explicly wh gay what is there to pla about an era when plays cludg Ravenhill's Mother Clap's Molly Hoe and Alan Bent's The Hab of Art occupy the stag of London's Natnal Theatre, when mils such as La Cage x Foll be prof wh preachg sexual tolerance and when specialised ftivals, offerg gay plays to primarily gay dienc, ntue to thrive?

It's also a ltle-noticed fact that when Gregory Doran assum ntrol of the Royal Shakpeare Company 2013 two of our big natnal pani will, for the first time ever, be n by gay I would like to see, however, are more plays on the Khner-Ravenhill mol which al wh sexualy a wir polil ntext.

SPACE PERFORMANCE: MAKG MEANG THE THEATRE. BY GAY MCAULEY. ANN ARBOR: UNIVERSY OF MICHIGAN PRS, 2000; PP. 320. $19.95 PAPER.

Novelists om Jam Baldw to Alan Hollghurst and Philip Hensher have shown that gay wrers are as well-placed as anyone to plot the urse of polil and cultural change. I jt wish more gay dramatists would rise to the challenge, so eagerly grasped by fictn wrers, of relatg personal dilemmas to public read: Not In Front of the Audience: homosexualy on stage by Nicholas Jongh (2002) Le of Bety by Alan Hollghurst (2004), for the nnectn mak between sexualy and the state of the natn.

I mean, what’s more gay than mpy mellodramatic performanc, where people wear fabulo cloth, dance across the stage and burst to song every other mute?

The theatre gay tromp is even referenced many meta mentari on the genre such as “everyone’s a ltle b gay” and Neil Patrick Harriss’ performance at the 65th annual Tony awards “It’s not jt for gays anymore”.

A BRIEF HISTORY OF GAY THEATER, THREE ACTS

One of the olr queer mils is Falsettos, bg March of the Falsettos (1981) and falsettoland (1990), tellg the story of a dysfunctnal fay: the gay father and his lover, his ex wife, his son and the lbian neighbours. The story is told through non lear vigt and throughout the mil Bechter explor her own sexualy and disvers more about her gay fathers myster life. To further this theory, many have wrten metaphorilly about theatril space; however, her important new book, Gay McAuley addrs the ia of a theatril space directly, discsg archecture, spatial stcture, actor space, and dience space.

Has a history of repeatedly sharg unfound nspiraci that man-ma chemils the environment uld be makg children gay or transgenr and g the femizatn of boys and masculizatn of girls. The basels claim that chemils – particularly tap water – uld turn people gay has gaed populary wh nspiracy theorists over the years, most memorably wh nservative rad host Alex Jon, who said chemils the water were “turng the igg’ ogs gay.

McCoy for The New York TimHis Sexualy Don’t Defe Him, but It Can Set Him ApartEric Bach is an openly gay broadster for the Frericksburg Natnals.

1964: THE BIRTH OF GAY THEATER

Three years earlier, while he was studyg journalism at Michigan State Universy, he had publicly e out as gay an say he wrote for the time of the say, he braced for a backlash, but nothg materialized.

He worked his way up om ternships to full-time broadstg jobs, and while anyone wh an ter nnectn uld learn he was gay, nobody asked, and he did not say so aga publicly. It was paful at the time — the worst thg that had happened to him as a gay man, he said — but has reced far enough to his memory that did not e to md an hourlong terview about his experienc as a gay broadster.

As far as Bach knows — and as far as many of his unterparts wh other teams are aware — there are no other openly gay broadsters the sport.

McCoy for The New York TimBorn to BroadstLong before he knew he was gay, Bach knew he wanted to be a sports father was a ach, and a love of sports ran through the fay. ’”By the start of his sophomore year at Michigan State, Bach was ready to tell his parents that he was gay, tchg his father off guard but nfirmg what his mother had prevly assumed.

He did each job to the bt of his abily, and his sexualy never me, he has found that there’s a difference between beg a gay man baseball and beg pletely fortable as one.

“I feel like that’s the burn a lot of gay people live wh — tryg to be perfect for straight people, ” he job requir equent teractn wh the players and the achg staff — addn to his duti as play-by-play announcer, Bach also is the ma public relatns ntact for the team — and he said he hadn’t fully relaxed any of them.