2016 Was the Bt Year Ever for Gay Movi

Contents:

• 1992 (2016) SHORT GAY DRAMA (NSFW) (FULL ED)
• KEN HAS ALWAYS BEEN BARBIE’S GAY BT FRIEND—NOT HER BOYIEND
• BARBIE SAID “GAY RIGHTS!” LONG BEFORE MARGOT ROBBIE OR GRETA GERWIG SHOWED UP
• FIRG OF GAY CATHOLIC SCHOOL TEACHER ULD TT LATT SUPREME COURT LG

1992 (2016) SHORT GAY DRAMA (NSFW) (FULL ED)

It's a sexy and substantative look at one gay Korean-Amerin life.MoonlightMoonlightis one of the year's bt films, LGBT or otherwise.

KEN HAS ALWAYS BEEN BARBIE’S GAY BT FRIEND—NOT HER BOYIEND

The story follows a gay black man, Chiron, through three stag of his early life, along wh his stggl wh self-acceptance, bullyg, and his mother's addictn to crack e.

Black gay men rarely get this kd of screen portrayal -- the kd that shows them wh hntg and joyful plexy and receiv glowg reviews om top crics.

BARBIE SAID “GAY RIGHTS!” LONG BEFORE MARGOT ROBBIE OR GRETA GERWIG SHOWED UP

In a time when so many of the topics addrsed by the film -- poverty, the school-to-prison pipele, homophobia -- rema real issu vulnerable muni and Ameri, is ed a privilege to have a film like Moonlight.Other PeopleMolly Shannon di over the urse of a year the film Other People. Inspired by Kelly's experience rg for his dyg mother, Other People also stars Jse Plemons as a gay son tasked to do the same, while figurg his own life out the procs. Gay edic characters rarely, if ever, receive this level of humany and nuance.Kg CobraThe lurid tale of Brent Corrigan's early porn reer -- and the murr of a producer stmental to Corrigan's succs -- is the foc of Kg Cobra.

But the animated Disney film is a timely allegory for how xenophobia -- and turn racism and homophobia -- n be ed for polil ga.

FIRG OF GAY CATHOLIC SCHOOL TEACHER ULD TT LATT SUPREME COURT LG

But this extraordary turn the history of movi and gay culture never ma to the mastream media, which always distorts sex, polics, moraly, and was also the year when mastream media, which typilly margaliz gay movi, sudnly pretend to fd a rare gem (see the last sli). Beg 17Only Andre Teche has the breezy cematic mastery to make a story about high school enemi (one French, the other Algerian) reflect geopolil tensn and simultaneoly reveal the mols for gay alienatn and human nnectn fay and social dynamics--the roots of sire and self-nfince. The heroe, a woman (Agns Deyn) who feels her ethnic herage and empathiz wh male anxieti, rells Srlett O'Hara seen through a gay man's sensibily.