A Glor Week For The Gays: Shubh Mangal Zyada Saavdhan And The Future Of Queer Cema
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A GLOR WEEK FOR THE GAYS: SHUBH MANGAL ZYADA SAAVDHAN AND THE FUTURE OF QUEER CEMA
It's been a glor week for the gays.
A triangle tattooed unr his ear lls to md the Pk triangle ed Nazi ncentratn mps to intify and persecute homosexuals. (It was later revived as a symbol of Pri; BomGay, India's first gay film ed as inography s tle creds). He wears the LGBTQ flag as a pe, a symbol of hero-hood and excsive pri, while proclaimg that parental opposn to nsensual same-sex love is a then, to have homophobe-enthiast Tmp tweet favour of the film prr to his vis to India ma the film that much more visible the cultural disurse.
(Madhavi Menon, a queer theorist who was recently on Am Varma's podst talkg about the History of Dire India, spoke about films like Anand (1971) pictg gay sire spe the hero endg up wh a woman the end: "For 2 hours and 58 mut two men are starg ep to each other's ey, and for two mut at the end you have the man the woman together, how do one outweigh the other? This film, much like Ek Ladki Ko Dekha Toh Aisa Laga, is satisfied wh merely subvertg heterosexual trop of the prev lenium, preferrg to foc on parental acceptance of homosexual love as opposed to the love self. There is a worry that wh homosexual love stori, we will go through the rigmarole aga, wag for at least a to get a nuanced, mercial take on homosexual sire- love and lt, marriage or otherwise.