Is Kirk Hammett Gay Or Bi? His Sexualy Revealed - News and Gossip

*BEAR-MAGAZINE.COM* WAS METALLICA GAY

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byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/amanda-petsich">Amanda Petsich</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2018-11-15T05:00:00-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">November 15, 2018</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz hounDZ"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Metalli" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">There’s nothg playful or glam or overtly sexy about Metalli, but the band’s llective anger and disillnment are powerful.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph om The LIFE Picture Collectn / Getty</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">One would be fiven for prumg that Metalli’s emotnal range ns merely om pissed to super-pissed. I’m not sure there’s another Amerin band que as apt at reflectg a certa kd of mascule rage—a ep and splterg fear of helplsns. In the early neteen-eighti, when Metalli formed, San Francis, was stmental (alongsi Anthrax, Megath, and Slayer) velopg and perfectg the subgenre of thrash metal, which borrows the aggrsn of heavy metal but is faster, sharper, and signifintly more sane. Metalli has sold more than fifty-eight ln albums sce 1991, easily outpacg Whney Hoton, U2, Fleetwood Mac, and Emem. There was once a time when metal was associated chiefly wh wispy mtach, mcle rs, and dismemberg ts, but feels worth acknowledgg that ’s hardly an outlier genre: there is a proven and long-standg sire for whatever tharsis metal enabl. Anger endur.</p><p class="paywall">Earlier this month, Metalli released an expand <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">boxed set</a> to memorate the thirtieth anniversary of their fourth rerd, “. . . And Jtice for All.” I have been diggg through s ntents for weeks, tryg to log and make sense of s pleasur. The box self is massive. It clus the origal album (now remastered) on two 180-gram vyl rerds and two CDs, three live LPs, a picture disk, eleven CDs and four DVDs of unreleased ntent, a tour lamate, a set of four patch (ready for your mom to iron onto your jean jacket), a prt by the popular metal illtrator Phead, a folr ntag facsi of handwrten lyric sheets, and a hundred-and-twenty-page hardver book.</p><p class="paywall">In 1986, Metalli’s foundg bassist, Cliff Burton, was killed a grisly accint. The band’s tour b skidd over a patch of black ice ral Swen and rolled off the road. Burton was jt twenty-four. In his tobgraphy, Stt Ian, a guarist the group Anthrax, which was on tour wh Metalli when the crash happened, reunts what the rt of the band saw the night Burton died: “It was pch black. Everyone was tryg to acunt for everybody else, and no one uld fd Cliff. And then they saw his legs stickg out om unr the si of the b and they fuckg lost their mds. I n’t even image what that was like and I never want to know.” Metalli eventually hired Jason Newsted, who was then playg wh the thrash-metal band <a href=">Flotsam and Jetsam</a>, to replace Burton. Sixteen months after Burton’s ath, Metalli regrouped Los Angel, and got to work on “. . . And Jtice for All.”</p><p class="paywall">It’s perhaps te that no band has suffered more om bungled productn than Metalli. Yet none of the band’s mix is more notor than “. . . And Jtice for All,” which ntas almost no discernible bass. Was the band merely hazg Newsted? Did they weaponize their grief, fdg some solace celty and huiatn? “First, Jason tend to double my rhythm guar parts, so was hard to tell where my guar started and his bass left off,” the guarist and volist Jam Hetfield explaed to <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><em>Guar World</em></a>, 2008. “Also, my tone on ‘Jtice’ was very soped—all lows and highs, wh very ltle midrange. My guar sound ate up all the lower equenci. Jason and I were always battlg for the same space the mix.”</p><p class="paywall">Well, fair. Lars Ulrich was ls diplomatic his remembrance. He and Hetfield purposefully monkeyed wh the mix, he said. “We basilly kept turng everythg else up until the bass disappeared,” he admted to <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><em>Decibel</em></a>, while still sistg that the act wasn’t speful. But of urse was speful! It was petty and mented. Young men n procs pa heavy and myster ways. Metalli hired Newsted, and then erased his ntributns out of rentment at what they had so recently lost. It was a perfect exprsn of self-sabotage and misdirected guilt. “I thk he was such a fan, and we hated that,” Hetfield recently <a href=">told David Fricke</a>. “We wanted to ‘unfan’ him and [have him] bee as hard as we were. So [we were] tryg to beat the fan out of him.” Why dulge love? Though is dark to nsir, this is also one of the richt and most perverse joys of Metalli. The band’s enmy is always thentic and unmediated.</p><p class="paywall">It mak a terrible sort of sense, then, that the remastered versn of “. . . And Jtice for All” still ntas almost no bass. The band has held te to s origal visn. “. . . And Jtice For All” was rerd to two-ch analog tape, which means that eds were done manually, wh a razor bla. This was a difficult and meticulo job, but was necsary to achieve the thick, throbbg, airls sound the band favored. (Metalli’s athetic the neteen-eighti might reasonably be scribed as “suffotg.”) “The kick dm track had been eded lerally hundreds of tim,” the mixg engeer Michael Barbiero explas the new ler not. “Each ed had been pastakgly measured wh a micrometer. That was partly how the unique metronomic qualy of Metalli’s double beater kick dm sound was achieved.” The album was built slowly and wh purpose. My favore part of the llectn is the CD tled “Riffs, Jams, and Demos.” (Many of the were culled om somethg lled “Jam’ Riff Tap.”) If you are terted the odd and sctable alchemy of creative work, is an engrossg document—ltle bs of melody eventually eher alce to herent songs, or they don’t.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Somehow, “. . . And Jtice for All” remas a ft and fascatg document. It was Metalli’s breakthrough rerd, and marked a turn away om the pure and unpromisg thrash of the band’s prr release, “Master of Puppets,” om 1986. It eventually climbed to No. 6 on the Billboard 200. Metalli <a href=">performed the sgle “One”</a> at the Grammys and produced a grim and terrifyg <a href=">mic vio</a>, an stant h on MTV. For the first time, Metalli was makg pulatns to the mastream. The band’s next rerd, “Metalli” (or the Black Album), which was released 1991, pleted the shift toward a slower, more melodic, and more mercial heavy-metal sound. “. . . And Jtice for All” is now unrstood as a transnal piece, ntag nods to both the band’s past and s future.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">In the terveng s, much has been wrten about the band’s virtuosy and mcle. They’re all hammerg away like maniacs each time they play, but I fd Hetfield’s vols the most nsistently remarkable—not necsarily for the qualy of his tone (he sgs as if he’s grtg his teeth, and fish each le wh a curled snarl, the Satanic versn of Valley Girl up-speak) but for their force. How do a person ntue to accs that well of savagery, to effectively channel for s? His lyrics are no ls tense. It is jarrg, our era of rosy empowerment anthems, to hear a man earntly sg, “Hold my breath as I wish for ath.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">The sense of reeng elatn one feels when listeng to, say, the first thirty sends of “<a href=">Paradise Cy</a>” or “<a href=">Immigrant Song</a>”—that’s probably never gog to happen wh Metalli. There’s nothg playful or glam or overtly sexy about the band. There is rarely a flare of optimism or ecstasy; stead, the songs exprs boundls paranoia about beg renred ert, or lied to, or ignored. The song tl on “. . . And Jtice for All” sometim borr on parody (“To Live Is to Die,” “The Frayed Ends of Sany,” “Blackened,” “The Shortt Straw”). But the band’s llective anger and disillnment are powerful. Delicy and sweetns are supplitg, but te fury is profound. It ntas s own serns and bety.</p><p class="paywall">Intertgly, fifteen years after Burton was killed, Metalli would once aga be whout a bassist. In January of 2001, Newsted acrimonly parted the group. Around the same time, Metalli agreed to let the directors Joe Berlger and Bce Sofsky make a film about them. The documentary that rulted, “Metalli: Some Kd of Monster,” was released 2004. It’s perhaps the most rivetg and peo mic documentary ever ma. The band’s remag members—Hetfield, Ulrich, and the guarist Kirk Hammett—gathered a makhift stud an old U.S. Army barrack, the Prid of San Francis, to beg wrg and rerdg “St. Anger,” the band’s eighth stud album.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="7al13g"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="hzl"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">It is excciatg to watch them work. There aren’t many pictns of te creative block—of what looks like to try very hard to make good art and to fail. The band is wound, paralyzed, stuck. What do feel like to have both your succs and your self-nceptn so pennt on the whims of two other dus? Hammett, who has curly black hair and lik to ri hors around his ranch, is a serene and mollifyg prence. Hetfield was ep the haze of addictn. He’d missed his kid’s birthday bee he was Rsia shootg bears and gluggg vodka. One day, he abptly disappears and enters a rehabilatn program. He’s gone for six months. Rerdg is psed, and the band’s management puts Phil Towle—a “performance-enhancg ach” who also acts as a kd of ad-hoc therapist—on retaer. He wears patterned sweaters and wire-ame eyeglass, and he ets about the band’s pacy to tst and “be seen.” Ulrich gets dnk on champagne and sells his art llectn at ctn. Later, he plays mos of some of the band’s new songs for his father, Torben Ulrich, a profsnal tennis player and a jazz mician of some renown. Torben gathers his sdg gray beard his hands. “Delete that,” he says.</p><p class="paywall">Hetfield eventually returns—he will now work only until 4 <em class="small">P.M.</em>—but his rapport wh Ulrich has soured. They started the band when they were jt eighteen. Now they’re ranro, bter, and, on ocsn, wildly lovg toward each other. A popular sult is to ll somethg “stock”—tic shorthand for lame and borg, the riff equivalent of clip art. They toss the word back and forth as if were a poison dart. Toward the end of the film, the band fally hir a replacement for Newsted: the bassist Robert Tjillo, formerly of Suicidal Tennci and of Ozzy Osbourne’s backg band. Metalli fish “St. Anger.”</p><p class="paywall">Amerin culture has long dulged and exced the anger and nfn of young whe men, which mak pecially easy to be dismissive of angry young whe men now. Metalli’s mic n work on anybody, but I spect s disgraphy offers a particular kd of pe for boys who maybe don’t want to play football or wrtle but nohels require some physil outlet for the pa and nfn that flows through adolcence. The rerds exist, on some level, to amplify and release mons. Long may they reign.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="jsv1ib"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div 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grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/amanda-petsich"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/amanda-petsich">Amanda Petsich</a> is a staff wrer at <em>The New Yorker</em> and the thor of “<a href=">Do Not Sell at Any Price: The Wild, Obssive Hunt for the World’s Rart 78rpm Rerds</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/metalli" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Metalli</span></a><a 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class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Cultural Comment</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/culture/cultural-ment/i-am-worried-about-my-ears" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">I Am Worried About My Ears</div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Amanda Petsich</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/culture/cultural-ment/the-accintal-perfectn-of-the-beatl-whe-album" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Accintal Perfectn of the Beatl’ Whe Album" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Cultural Comment</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/culture/cultural-ment/the-accintal-perfectn-of-the-beatl-whe-album" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Accintal Perfectn of the Beatl’ Whe Album</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/culture/cultural-ment/the-accintal-perfectn-of-the-beatl-whe-album" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Accintal Perfectn of the Beatl’ Whe Album" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Fifty years later, the rerd is still good, still lible, still as clean and pure as s sleeve, requirg no explanatn or scriptn beyond the band’s name.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" 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cLxcNi">Annals of Obssn</span></a></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Doomsday Preppers Get Ready for the Apolypse</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR 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class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Amerin Chronicl</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Country Mic’s Culture Wars and the Remakg of Nashville</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR 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