Contents:
- GAY UNRCURRENT TRICKL THROUGH GREAT 'RED RIVER'
- CHAPTER 2 – QUEERS AND DYK THE DARK: CLASSIC, NOIR & HORROR CEMA’S COD GAY CHARACTERS:
GAY UNRCURRENT TRICKL THROUGH GREAT 'RED RIVER'
If the all-too-sane and tasteful Brokeback Mounta has whet your appete for a gay wboy movie, go out now and rent or buy Howard Hawks' magnificent Red uldn't rist toyg wh the emotns churng at the re of a homosocial world like that of ttle hands, and he sent the feelgs hurtlg to the surface one hilar tone Ireland plays gunman Cherry (!
"Still, unlike Brokeback Mounta, whose claim to art and entertament rts on s gayns, the bety of a movie like Red River is that has somethg for everyone. The gay ntent is like the Christian ntent The Chronicl of Narnia: The Ln, The Wch and the Wardrobe: proment a few scen, prent as an unrcurrent, but never allowed to swamp the exhilaratg mh of characters and epic sweep and be the Capta Queeg of ttle barons, shunng people who disagree wh him and shootg them for disloyalty.
Closet, ” a documentary about hidn homosexualy the movi. Both the book The Celluloid Closet and the 1995 documentary ma om referenced Red River as one of the classic Hollywood pictur wh veiled homoerotic unrton. Joseph McBri and Gerald Peary, an terview wh Howard Hawks for Film Comment, mented on the gay subtexts of several of the director's films, particularly this one.
CHAPTER 2 – QUEERS AND DYK THE DARK: CLASSIC, NOIR & HORROR CEMA’S COD GAY CHARACTERS:
" The exchang between Matt Garth (Montgomery Clift) and Cherry Valance (John Ireland) have been pecially sgled out as d homosexual dialogue (see Memorable Quot). Hollywood movi weren’t aaid to show gay characters or reference their experienc.
Homosexualy. While the Co did not explicly state that pictns of homosexualy were agast the Co, the Co barred the pictn of any kd of sexual perversn or viance, which homosexualy fell unr at the time. ” There was a much longer list of ‘Be refuls’ which dited was offensive to “show sympathy for crimals, ” “arson, ” “surgil operatns, ” “excsive or ltful kissg” and of urse “HOMOSEXUALITY.
Unr prsure om the Catholic Church and other relig groups, the Motn Picture Productn Co ma so that any margal gay characters beme masked nuendo, relyg on queer symbolism stead. ” Though a variety of ntroversial topics weren’t vigoroly banned by the Productn Co, gay characters WERE strictly prohibed. Deprsn-era cema exhibed gay characters, but generally small parts and often ed for ic purpos that managed to cue dienc , wh rol that were dified and readable as queer.