Pedro Pasl and Ethan Hawke’s Gay Cowboys Take Cann | Vany Fair

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Books shelved as gay-wboy-romance: The Ranch Foreman by Rob Colton, A Volatile Range by Andrew Grey, Shy by John Inman, Contental Divi by Lra Har...

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THE REAL GAY WBOYS

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(Image cred: Alamy)The actor Sam Elltt's ntroversial recent ments cricised The Power of the Dog's 'allns to homosexualy', but queer readgs of wterns stretch back s, and Zachariah is a prime example, wr Sean the ialistic 1960s gave way to the cynil 1970s, US cema began servg up creasgly nihilistic and psychologilly plex stori, all wh sour endgs to match. Zachariah ptur the overlap between anti-Vietnam War, rock mic, sexual liberatn, femism, the emergence of gay rights, civil rights, environmentalism – they're all alcg – Gary NeedhamZachariah's screenplay was rewrten many tim. In all s Firign-fuelled youth-culture provotn, Needham tells BBC Culture, the film "ptur the overlap between anti-Vietnam War, rock mic, sexual liberatn, femism, the emergence of gay rights, civil rights, environmentalism – they're all alcg" wtern was a predomant mo through which mascule performance was tght, pecially to young whe Amerin menThe boys' embrace at the end of Zachariah, then, is an earnt rebuttal of the toxic, vlent mascule mor on which the wtern genre was built.

So is Zachariah a gay wtern? The gay prs asked the same qutn.

BENEDICT CUMBERBATCH WEIGHS ON STRAIGHT ACTORS GAY ROL AHEAD OF ‘POWER OF THE DOG’ RELEASE

Wh Don Johnson gracg s ver, the March 1971 edn of The Advote, the US's olst LGBT publitn, featured a review wh the headle "Are they gay? On the homosexual implitns of the iendship, he wrote, "I'm aaid that's all is – iendship, " addg that the film's script leads to the brk of homosexualy only to back away before be explic.

" Gay people will be posive that the boys were lovers, and the straights will be left wh only spicns.

The New York Tim' Roger Greenspun looked closer (too close, perhaps), ncludg that the film "propagandised homosexual love".

PEDRO PASL AND ETHAN HAWKE’S GAY COWBOYS TAKE CANNIN PEDRO ALMODóVAR’S SHORT FILM STRANGE WAY OF LIFE, THE PAIR LEAVE WANTG MORE.BY RICHARD LAWSONMAY 17, 2023COURTY OF CANN FILM FTIVALSAVE THIS STORYSAVESAVE THIS STORYSAVETHE PROMISE OF A GAY WTERN STARRG PEDRO PASL AND ETHAN HAWKE AND DIRECTED BY PEDRO ALMODóVAR PROVED TO BE TNIP TO CANN DIENC WHEN THE SHORT FILM STRANGE WAY OF LIFE PREMIERED AT THE FTIVAL WEDNDAY. NOT EVEN A STEADY RA KEPT THE CROWDS AWAY—SPE HAVG TO WA LE, GETTG DRENCHED, FOR CLOSE TO AN HOUR. WHEN ALMODóVAR TOOK THE STAGE TO TRODUCE THE FILM—ONE OF HIS FEW FORAYS TO ENGLISH-LANGUAGE CEMA—HE WAS JOED BY HAWKE AND A QUARTET OF HUNKY ACTORS (AMONG THEM MANU RS, OM THE H SPANISH TEEN SOAP ELE). IT ALL SEEMED TO SET THE STAGE FOR SOMETHG VIVID AND SENSUAL THE STYLE OF SO MANY OTHER ALMODóVAR FILMS. AND WAS BORNE OUT, ALBE LIMED WAYS, THE ACTUAL FILM. HAWKE PLAYS A SMALL-TOWN SHERIFF, JAKE, WHO IS VTIGATG THE MURR OF HIS SISTER--LAW AT THE HANDS OF HER LOVER. PASL IS SILVA, AN OLD IEND OF JAKE’S WHO RIS TO TOWN FOR SHADOWY PURPOS. AT LEAST PART OF HIS TENTN IS ROMANTIC: JAKE AND SILVA HAD A TWO-MONTH FLG MEXI SOME 25 YEARS PREV, A BRIEF AND WONRFUL GIVG- TO FORBIDN SIRE THAT SEEMS TO HAVE HNTED THE TWO MEN EVER SCE. SILVAN WANTS TO PICK UP WHERE THEY LEFT OFF, WHILE JAKE HALFHEARTEDLY RISTS. IN THAT SENSE, STRANGE WAY OF LIFE IS A MELODRAMA, WH LOTS OF HEAVY TALK ABOUT THE SWEET, EROTIC GLEAM OF THE PAST AND ALL THE BTER PROMIS OF THE PRENT. HAWKE AND PASL FD THE RIGHT TONE TO HANDLE ALL THIS FLORID EMOTG, WH ALMODóVAR MOSTLY GETTG OUT THEIR WAY. THOUGH HE DO LET ALBERTO IGLIAS’S SWELLG SRE SH AT THE LOVELORN PAIR, A DASH OF OLD HOLLYWOOD FLARE AT ONCE MOURNFUL AND SWOONG. THERE IS EVENTUALLY A SHOOTOUT, OF SORTS, BUT ’S NOT PLAYED FOR FUN. AND ’S ULTIMATELY SERVICE OF A POIGNANT NCLN. STRANGE WAY OF LIFE CUTS THROUGH S GRIZZLE TO ARRIVE AT SOMETHG SOFT AND SENTIMENTAL, A VISN OF HOW JAKE AND SILVA ULD HAVE BEEN HAD THEY ALLOWED PASSN TO W OUT OVER NVENTN AND THE HARSH STRICTUR OF LIFE THE OLD WORLD. THERE IS A SMALL B OF SEXY STUFF TOO, PARTICULARLY A DREAMY AND WE-SOAKED FLASHBACK TO WHAT WAS PERHAPS THE BEGNG OF JAKE AND SILVA’S FIRST RNAL RELEASE. IT’S BRIEF, JT LIKE THE SEXUAL EPIPHANY FLASHBACK ALMODóVAR’S PA AND GLORY. ALSO HELPG RAISE THE VAPORS LEVEL ARE THOSE HANDSOME SPANISH FELLOWS, WHO ARE BARELY THE FILM BUT ADD TO THE FILM’S HEADY, HOT-AND-BOTHERED AIR NOHELS.IT’S A KICK TO SEE ALMODóVAR’S GAY GAZE APPLIED TO A WTERN, THOUGH AT ONLY 31 MUT, THE FILM LEAV WANTG QUE A LOT MORE. ONE HOP THAT THIS MIGHT BE A MERE MO REEL FOR A FULL FEATURE FILM; ALMODóVAR HAS SAID HE IS GAG NFINCE DIRECTG ENGLISH, SO PERHAPS HE MIGHT FEEL READY TO PURSUE A MORE SUBSTANTIAL STORY WH PASL AND HAWK. THERE’S MORE TO BE EXPLORED HERE, MORE NVENTNS OF THE WTERN TO BE TURNED ON THEIR HEADS—OR, RATHER, EXPAND TO CLU NEW NARRATIV. WH STRANGE WAY OF LIFE, ALMODóVAR, SUCH A FULL-THROATED AND SGULAR FILMMAKER, PROV JT THE RIGHT MAN TO LEAD THAT REVOLUTNARY CHARGE.MORE GREAT STORI FROM VANY FAIRRILEY KEOUGH ON GROWG UP PRLEY, INHERG GRACELAND, AND MORETE CRIME, TE FAH: THE SERIAL KILLER AND THE TEXAS MOM WHO STOPPED HIMTHE TAN SUBMERSIBLE DISASTER WAS YEARS THE MAKG, NEW DETAILS REVEALWHY THE GEIA INDICTMENT AGAST TMP AND HIS ALLI IS THE MOST SWEEPG YETIVANKA TMP IS NOT LETTG HER DAD’S MOUNTG LEGAL WO RU HER SUMMERA NEW SLIM AARONS BOOK CAPTUR A LOST WORLDTHE 25 BT SHOWS ON NETFLIX TO WATCH RIGHT NOWFROM THE ARCHIVE: TOO HEPBURN FOR HOLLYWOOD (2006)MOST POPULARAND JT LIKE THAT… PREPAR FOR ITS LAST SUPPERBY CHRIS MURPHYRILEY KEOUGH ON GROWG UP PRLEY, LOSG LISA MARIE, AND INHERG GRACELANDBY BRT HENNEMUTHTHE TV MOVIE IS MAKG A WEIRD, WONRFUL COMEBACKBY DAVID CANFIELDRICHARD LAWSON

In his book Idol Worship: A Shamels Celebratn of Male Bety the Movi (2003), Michael Fergon refers to Johnson at this stage of his reer as "an stant h wh gay dienc", and "sold as chicken feed and pecked at wh light".

GAY WBOYS? ‘POWER OF THE DOG’ DO NOT STAND ALONE GOG THERE

Nu stills om his works were regularly prted gay magaz, and Johnson was, says Fergon, "extremely gay-iendly and gay-thankful". When Zach first approach Matthew, he’s shirtls and sweaty, wearg ltle but a blacksmh's smock, Fergon wrote: "the homoerotic possibili of this exchange [might] turn to the first gay wtern sce Andy Warhol's Lonome Cowboys (1969)". But the sequence speaks to the experienc of many gay men too.

Red River (1948), a film laced wh nuendo which John Wayne and Montgomery Clift, a closeted gay man, admire each other's firearms, was labelled a queer touchstone – alongsi Calamy Jane (1953) and Johnny Guar (1954), which also upend genr rol – Vo Rso's 1981 book The Celluloid Closet: Homosexualy the Movi, and the documentary of the same name (1995). Andy Warhol's Horse (1965) and Lonome Cowboys (1969) make clear the nnectns between stume, Amerin male inty and homosexualy. "The wboy has always had a lot of currency gay eroti and eventual pornography, " says Needham, who pots also to gay-liberatn films such as Song of the Loon (1970), and gay porn featur such as The Savag (1971), as exampl.

GAY COWBOY ROMANCE BOOKS

Zachariah picts men, even if they're not terpreted as gay, as unbound by the mascule paranoia that surrounds touch, feelgs and emotnsIn 1969, Midnight Cowboy would repackage the them and athetics to ask qutns about Ameri's mols of masculy.

Needham wr his say Hollywood Tra: Midnight Cowboy and Unrground Cema, the film "'outs' post-war gay culture's cultural productn and erotic fascatn wh wboys". That, says Needham, might be part of Zachariah's appeal to gay dienc: bee picts men, even if they're not terpreted as gay, as unbound by the mascule paranoia that surrounds touch, feelgs and emotns. There was clearly a precent for gay wboys by 1971, even if was mostly unknown to Zachariah's makers.

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