Anthony Friedk photographed gay culture California the 1960s
Contents:
- ‘A FAY LIKE OURS’: PORTRAS OF GAY FATHERHOOD
- PNEERG PHOTOGRAPHS OF GAY LIFE THE 1960S
- GAY HOLLYWOOD: 45 OUT AND PROUD LGBT STARS (PHOTOS)
‘A FAY LIKE OURS’: PORTRAS OF GAY FATHERHOOD
Heynen planned to photograph for a book of photography featurg gay fathers and their children. ”Amerin culture has not been particularly starved of imag of gay fatherhood, particularly recent years. Celebri like Anrson Cooper have helped normalize the ia of gay men raisg children, and no longer feels revelatory to see them on televisn, as did when “Morn Fay” premiered mon, Mr.
Heynen said, are imag of gay fathers who aren’t Instagram ready — like two men bg their dghters’ hair or tossg a football the ont yard. It’s an unrstandable impulse, which he attribut to a sire among gay parents to feel “normal” after havg their pabili as parents ntually lled to qutn. Heynen said, but rather a celebratn of the day-to-day liv of gay Jt for the YoungCly Rose, 61, and Ryan, 12Cly Rose, who liv Manhattan, was first photographed for “Dads” three years ago after meetg Mr.
Heynen at an event at the Lbian, Gay, Bisexual & Transgenr Communy Center New York Cy.
PNEERG PHOTOGRAPHS OF GAY LIFE THE 1960S
Heynen “a lot of cred” for cludg a father like him — a sgle dad his 60s — sce he said there is often a lack of reprentatn of olr gay people art and media, which tends to foc on young, f men.
As a Black, gay man raisg a son on his own, Mr.
GAY HOLLYWOOD: 45 OUT AND PROUD LGBT STARS (PHOTOS)
“I was 19, vulnerable, young and puttg my own inty together, ” says photographer Anthony Friedk when reflectg on his first project, The Gay Essay, which documents gay culture Los Angel and San Francis between 1969-1972.
What started, as a self-assigned project for a young photographer growg up Hollywood has now bee one of the most thentic portras of gay life Ameri om this perd. In 1969, the same year as the Stonewall rts New York Cy, a gay cultural revolutn was growg Ameri. At the time, most pictns of gay men and women mastream media were found salac newspaper and tabloid articl, all of them reported om a murky distance.
LIFE’s two-part seri Homosexualy Ameri om 1964, featured dark and shadowy photographs by Bill Eppridge. While growg up Hollywood, Freidk’s parents worked the film dtry and had close iends that led full openly gay liv. He saw that world as a “refuge” and a place where gays were “allowed to be themselv” more than any other place.