Search Party’s Elltt Is the Lim Case of the ‘Gay BFF’

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Throughout three seasons of the TBS/HBO Max edy Search Party, John Early’s “gay, energetic, self-diagnosed narcissist” character has evolved to a satiril figure as funny as he is terrifyg.

Contents:

‘SEARCH PARTY’ STAR JOHN EARLY: TV’S FUNNIT GAY NARCISSIST SAYS GOODBYE

After five seasons of reventg jt how sufferable—yet still relatable and hilar—a gay megalomaniac lennial n be, John Early looks back on his “Search Party” n. * search party gay characters *

He and his bt iend and equent edy llaborator, Kate Berlant, played hooky om all of life’s obligatns—Berlant even nceled a gig she had schled for that night— orr to partake the equivalent of a holy sacrament for a gay lennial and his loyal hag: bgeg the first few episos of the new Sex and the Cy sequel seri, And Jt Like That…“We had martis and latk, ” Early says, speakg to The Daily Beast over Zoom. ”After five seasons of playg tic gay narcissist Elltt Goss on the cult favore edy seri Search Party, Early knows to be nimble while skippg through the proverbial moetraps of lennial culture, which is to say, how and when to shut your mouth when your opn uld land you trouble or attract unwanted ’s not an easy lson, and one he adms he stggled wh over the years as his reer took off, thanks to rave cril notic for Search Party as well as his work Wet Hot Amerin Summer: First Day of Camp, Neighbors 2: Sorory Risg, and Late Night.

Coupled wh his performanc on Wet Hot Amerin Summer and Neighbors 2, Early was among stars like Billy Eichner and The Other Two’s Drew Tarver, who were evolvg what meant to be young, gay characters on TV away om the stock “sassy gay BFF” type.

SEARCH PARTY’S ELLTT IS THE LIM CASE OF THE ‘GAY BFF’

* search party gay characters *

He was changg the way we thought about–and perhaps more importantly, lghed at–gay characters on TV. Still, when me to his sexualy, Early weathered and overme the same ternalized homophobia that still bis characters like Elltt.

“I was like, ‘Oh, I’m not that kd of gay.

“That’s somethg that every gay person has to work through.

SEARCH PARTY'S CO-CREATOR RECKONS WH ITS 'WHE GAY NARCISSISM'

It was that gay BFF stereotype.

Layg out the key characteristics of a “gay bt iend” on televisn n further strs jt how one-dimensnal such a character n feel on the page.

FIRST LOOK: SEARCH PARTY RETURNS JUNE 25 WH A BIG GAY WEDDG

Shows like Difficult People, Happy Endgs, and Sex Edutn have been eagerly rhapg what a “gay (male) bt iend” n look like on the small screen, givg characters like Billy Epste, T Andromedon, and Eric Effng plex ner liv that refe to be llapsed to the trope they neverthels ll forth.

*BEAR-MAGAZINE.COM* SEARCH PARTY GAY CHARACTERS

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22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">In 1936, to make ends meet, <a href=">F. Stt Fzgerald</a> published a seri of melancholic says <em>Esquire</em> that would e to be known as “<a href=">The Crack-Up</a>,” which he scribed his experience of beg mentally undone. For him, and for others who had lived through the precedg s’ dual blows of war and fancial , somethg si had been permanently shattered, he believed. “There is another sort of blow that om wh,” he wrote, “that you don’t feel until ’s too late to do anythg about , until you realize wh faly that some regard you will never be as good a man aga.”</p><p class="paywall">“The Crack-Up” would be a ftg tle for the fourth season of “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Search Party</a>,” the madp seri about a group of self-dulgent lennials who drift their way to verg up a murr. In the penultimate episo of the season (and be forewarned, spoilers ahead), Elltt Goss (<a href=">John Early</a>), an extravagant fashn victim, ss strand on a highway wh two iends the fictnal ral town of Babyfoot, Massachetts, lamentg his terrible cisns. They are tryg to fd their iend Dory Sief (Alia Shawkat), a killer turned kidnappg victim, who has been locked the basement of a nearby mansn, the ptive of a ranged stalker who drs drag as his nt. Elltt has sold out and bee a right-wg pund on the news work he works for; he even agreed to lend his name to a new le of bedazzled handguns. But the factory makg them has recently explod. “We’re all so fuckg lost!” he says. “It’s like we’re a lost generatn!” But, where Fzgerald scribed a generatn unmoored bee they had fought the trench and been forced to see too much, the wayward youth of “Search Party” have suffered a crack-up of their own makg. When the show begs, the characters have seen entirely too ltle. They are unremployed and unrstimulated, self-obssed but not self-directed. And so they create their own own trench to leap to, jt to have a story to tell.</p><p class="paywall">When “Search Party” <a href=">premièred</a> on TBS, the fall of 2016, seemed as if might be yet another blhe entrant to the “Entled lennials, what <em>will</em> they do next?” genre of televisn edy. The show—created by the wrg partners Sarah-Vlet Bliss and Charl Rogers (who now serve as shownners), along wh the edian Michael Showalter—débuted jt months after “Girls” end s six-season n, and troduced another ragtag quartet of Brooklyn bnchers whose liv don’t look exactly like they had hoped. Elltt was tryg to lnch a luxury-water pany. Portia Davenport (Meredh Hagner), an attentn-starved actrs, uldn’t hold on to a role to save her life. Drew Gardner (John Reynolds), a fance bro basic Bonobos, hated his job on Wall Street. And Dory, his live- girliend, was perhaps the most lost of the bunch—eager to do somethg valuable wh her life but unable to fd a toehold. But then she cid to go search of a llege classmate, a prissy poet named Chantal Wherbottom (Clare McNulty), who’d gone missg, and the show veered pleasgly off-piste— beme a propulsive mystery-edy, a live-actn “Soby Doo,” prsg the faiar theme of lennial aimlsns to the shape of an amatr tective story. As Dory pursued the se wh creasg obssivens, Drew, Elltt, and Portia followed along, thkg that her newfound sense of self-actualizatn might b off on them.</p><p class="paywall">The whole affair uld have end as a Noël Coward-que farce, wh a good lgh had by all. Chantal, whom the iends eventually tracked to Montreal, did not get abducted or jo a cult; she simply cid to go “off the grid” while squattg a rich iend’s vatn home. The search uld have led Dory to fd her te self. Instead, the creepy private eye Keh Powell (Ron Livgston) showed up at Chantal’s pe pad, and he and Dory tsled, and Drew, an attempt to fend her, grabbed a marble obelisk om the foyer and h Keh over the head. Wh that fatal thwack, the show shape-shifted aga—the silly, ad-end noir was now a tale of murr. <a href=">In Season 2</a>, the gang attempts to ver up the crime, and when a nosy neighbor named April (an acidly funny Phoebe Tyers) threatens to expose them, Dory fds that she is pable of killg tentnally, too. Season 3 is “Search Party” ’s urtroom blockbter, as Dory go on trial and be enormoly famo as a rult—an Amanda Knox for the matcha-latte set—and disvers that she lik playg the part. (The season aired early 2020, after a three-year hiat and a move to HBO Max.) Through all, Dory clgs to the belief that she is a good person. The show oblerat the zy notn—phed by so many other shows about navel-gazg young people—that what ultimately matters is good tentns, that what really unts is who you are si. But also picts how members of a generatn prone to fantasi of granur n fantasize their way out of any form of self-reckong, even for the most reprehensible actns. They choose money, fame, disassociatn, and nrasthenia over acuntabily, every time.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">In Season 4, Dory fally fac a reckong of sorts. When the season begs, she awakens chas, her head shaved, wearg only a whe tank top and sweatpants. She is not a prison cell, where she serv to be, but a far more bizarre kd of hell: a padlocked basement a Massachetts Victorian home, where her stalker, a pampered “twk” named Chip (Cole Esla), is keepg her a lair fashned as an exact simulacm of her Brooklyn apartment. From there, pullg spiratn om films such as “Misery” and “The Silence of the Lambs,” the season go to a full-on clstrophobic psychologil horror.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">The bred scn of a snack-ke tyon, Chip is a ltle b Norman Bat and a ltle b Kathy Bat, a murely vlent loner wearg a grotque procsn of Aunt Lylah’s mk ats and curly wigs. He is sperate for pannship, and nvced of Dory’s nocence. He’s wgg the whole abductn thg. But the torture he subjects his ptive to is more diabolil than he realiz: He forc Dory to lerally live wh herself, to unrgo an immersn therapy her own nightmarish life, plete wh dolls that he has rema to look like Elltt, Portia, and Drew. He feeds Dory a unvaried diet of soy nuggets and rarely allows her to shower; when he do, he stays the bathroom sgg an off-key rendn of Deee-Le’s “Groove Is the Heart.” A nosy neighbor—played by Ann Dowd, dog her bt “I would like to speak to the manager” schtick (the show excels at kooky gut appearanc)—mak the mistake of droppg by to put up Christmas ratns and wds up ad. Late the season, Chip fally offers Dory a release om her sufferg: g some makhift hypnotism, pl a dg cktail plucked om Lylah’s medice bet, he manag to nvce Dory (g a miature table of the Montreal crime scene) that she is a blamels woman named Stephanie, and outfs her a garish blon wig. Dory’s only moments of happs the season are when she fets who she is entirely.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">While Dory is havg her inty refigured and her bra scrambled, the others are by performg ever more alienated versns of themselv. Drew ns away to a Disneyland-like amement park Florida, where he his out a ln stume and go by a different name. Portia dns to play herself a ma-for-televisn movie about the urt se but is stunt-st the role of Dory stead—and then gets fired for failg to nvcgly accs the character’s dark si. “Look at me and my stupid fat choic!” Elltt says of his right-wg-pundry gamb. “I’m like a person playg a person playg a person!” The only character who fds an “thentic” self might be Chantal, who wr a memoir, “Imperfect Ten,” while trippg on a handful of her brother--law’s “Ias” pills. An Oprah-like talk-show host named Wilma (Lillias Whe) lds the book as “somewhere between self-help and a manifto on how to live whout shame, and whout awarens.” (Though, fairns, Wilma is unr the mistaken imprsn that the book was wrten by a child.) At one pot, Chantal se a missg-person poster for Dory—the same type of sign that had led Dory to go lookg for her. Chantal barely pays any attentn. The rt of the group sets out to fd Dory, half-heartedly. “I gus we have to save her,” Portia says when they’re stg by the si of the road. “Do we?” Elltt asks.</p><p class="paywall">The season is genly stctured—a ravel of assumed and mistaken inti, body doubl, brief enunters, shoddy disguis, and role reversals that seem to turn the show to a ckeyed photo negative of self. One of the seri’ sharpt skewers of the solipsistic, clog-clompg Brooklyn mentaly is rried off by s stume sign. Hagner, as Portia, channels the dippy breezs of a young Goldie Hawn, wearg chicken feathers and gigantic animal pelts even durg the day. Elltt’s wardrobe, ridiculo both lor and proportns (and as such, the subject of many a <a href=">listicle</a>), clus, Season 4, an oversized striped bathrobe worn as a wter at. The wrg on “Search Party” is brilliant at parodyg rporate jargon and therapy-speak, how the language of self-help n be twisted to absurd pretzels of self-jtifitn. “We have to start takg more rponsibily for how ltle rponsibily we’ve actually had our liv,” Elltt tells Portia and Drew. One of the greatt scen is a farcil r chase which each party believ that is chasg the other, and each is mistaken about who’s the other r. They end up a traffic circle, gog round and round, each r wag for the other to take an ex—a search party that go nowhere.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="v282uu"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="7r46p"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">“Search Party” was jt renewed for a fifth season, but, even if the Season 4 fale were the seri’ end, would have been a worthy one. Dory, once the aggrsor, has bee the victim; once the rcuer, she has bee the missg person. But—as we see a twist at the end of the nth episo—even that role is one she chose for herself. In the fale, Dory is a ghost at her own funeral. The hoe she was trapped burned down, and apparently she didn’t make out. This phantom Dory looks on as her iends logize her. Portia, wearg a silver flapper headdrs, like an ersatz Daisy Buchanan, rambl herently about the futily of unrstandg onelf or others. “We don’t really know why we are the way we are,” she says. “But we are the way that we are and that’s the way that we are.” (“Are you gonna clap?” she asks when she’s done.) Elltt giv a rog speech about all that Dory tght him by beg a “lyg, manipulative bch.” Drew plays an off-key love song on a ulele. As the service go on, more Dori beg to show up. There’s the smug Season 3 Dory, her prim trial outf. There’s the lculatg Season 2 Dory, the red drs she was wearg when she killed April. And there’s the hopeful, misguid Season 1 Dory, her schlumpy tweed at. Each the star of a different show, they look on as Dory’s iends try their bt to give her story some sense of closure and remptn.</p><p class="paywall">It is the first time that the “Search Party” wrers seem to wrap a plotle up a bow. In “The Crack-Up,” Fzgerald nclus that the members of his generatn who had survived “had ma some sort of clean break”—that orr to move forward, they had to cut ti wh their burnsome pasts. Watchg her own funeral, Dory seems to have, at last, attaed this kd of pe velocy. But the show wouldn’t offer her such easy grace. The fale ends wh a tny phonograph rerdg of “Me and My Shadow,” Al Lynn’s hntg dty, om 1927, about a lonely, actured soul. No matter how many personas the “Search Party” characters don and doff, they have to live wh what they have done.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="rmq5f9"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/rachel-syme"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/rachel-syme">Rachel Syme</a> is a staff wrer at The New Yorker. She has vered Hollywood, style, and other cultural subjects sce 2012.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/tv-reviews" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">TV Reviews</span></a><a href="/tag/tv-shows" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">TV Shows</span></a><a href="/tag/search-party" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Search Party</span></a><a href="/tag/televisn" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Televisn</span></a><a href="/tag/lenials" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Millenials</span></a><a href="/tag/noir" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Noir</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt feDzQf newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Gogs On</h3><div class="NewsletterSubscribeFormDek-kXonvc grEaES newsletter-subscribe-form__k">What we’re watchg, listeng to, and dog this week, onle, N.Y.C., and beyond. 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